Lord Byron Returns to Chillon in 2016

At least until August 21 in

1816-1820 Byron is back ! Lord Byron’s Return

byron_chillon12016 is the 200th anniversary year of the romantic poets and Frankenstein inspiration in Switzerland. A number of events and exhibits are being offered to celebrate the “romantics summer” of 1816.

Lord George Gordon Byron visited the shores of Lake Geneva for five months in the summer of 1816, from May through October. It was a busy and auspicious time for English Literature. While staying at rented estate, the Villa Diodati in the Cologny suburb of Geneva, and joined by new friends Mary and Percy Shelley, came the now famous origin of the Frankenstein story by Mary Shelley, and Lord Byron produced his haunting Prisoner of Chillon, inspired by the beautiful castle which guards the eastern lake shore at Montreux, (called Clarens in the days of the romantics).

chillon_castle_sunriseWhile the tale of the ghost story competition at the Villa Diodati which is the common telling of the origin for Frankenstein, of which one is reminded of the line “when the legend becomes the truth, print the legend” is being celebrated with its own 200th Anniversary at the Bodmer Foundation Library in Geneva, the trip of Byron and Percy Shelley around the lake is less familiar and the Chateau Chillon is presenting its own temporary exhibition to celebrate the 200 years since the visit of the poet to its dungeons which inspired him to write of the priest held captive as a political prisoner. The aim of the 2016 bicentennial summer exhibit is to offer an homage to the man who ignited the romantic travel desires of the reading public to follow in the footsteps of the literary pioneers who described beautiful far-away places with such emotion.

Read Secret Memoirs of Mary Shelley for the real love story origin of Frankenstein

During the five months stay at Lake Geneva from May 20 until October, the Shelleys and Bryon who had not met previously, became good friends that summer. Mary dedicated the first edition of Frankenstein to the “mad, bad, dangerous to know” poet and Percy Shelley and Bryon rented a boat to explore around the lake. The stop at the Chateau Chillon was brief, like any tourist’s visit might be, but the stories he heard of Francois Bonivard and his treatment in the hands of the Savoys caused him to begin his Prisoner of Chillon verse tale while staying on the Ouchy Riviera of Lausanne.

The “Byron Experience” Exhibition

byron_chillon_bookDuring the special exhibit a self-guided tour of Castle Chillon with present the experience of Byron through documents, rare publications and objects presented in context with a collection of evocative images to present visitors with the scope of work left to us by Byron, the rock star of his age. The exhibition has original and exceptional documents and objects on display lent by various prestigious institutions, including the Geneva State Archives, the National Library of Scotland and the University Library of Lausanne. Among the objects, is a manuscript of “The Prisoner of Chillon”, which was hand copied for Byron by Mary Shelley’s step-sister Claire Clairmont, who was pregnant with Byron’s daughter Allegra at the time. He didn’t get along with her, but she was dutiful to him. Also present is a first published edition, as well as numerous original editions written by Lord Byron.

For touring the sites visited by Bryon and Shelleys, and writing of in their journals, the exhibit offers an “Alpine Journal” guide, to retrace the footsteps of Lord Byron’s and explore the alpine landscapes of which inspired those first tourists so enchanted by Switzerland, that remains an inspirational today as it was 200 years ago. The exhibition is in French, English and German.

A combined ticket is available to see the Summer of 1816 exhibits around the lake, including 1816-1820 Byron is back ! Lord Byron’s Return at Chillon Castle and Frankenstein: Creation of Darkness at the Bodmer Foundation Library.

Other Events in Switzerland celebrating Mary Shelley’s Frankenstein and Bryon

mary_shelley_bellinzonaSeveral events are being held in 2016 and 2017 to celebrate Lord Byron and the friends coterie of the friends’ stay in Switzerland. The Musée du Léman holds an exhibition, Wanted! A la chasse sur le lac will be open until January 8, 2017. Byron himself appears in a large fresco by the artist Aloys. In Italian speaking Switzerland, just beyond the newly inaugurated Gotthard Base Tunnel, the Sasso Corbaro Castle of Bellinzona presents an exhibition about Mary Shelley & Frankenstein through the end of July.

For more about  Chillon Castle and Bellinzona in Favorite Castles of Switzerland

From 26 August, a musical comedy version of “Mary Shelley’s Frankenstein” will be presented at the Grand-Champ theatre in Gland before moving to Geneva. While in Geneva, the Musée Rath has organized an exhibition called “Le retour des Ténèbres” (Return from the Darkness) around the myths of vampires and Dr. Frankenstein’s monster which will run later in the season from December 2, 2016 to 19 March 19, 2017, while the Brocher Foundation Research for the Future of Human Being and Society in Hermance, Switzerland also has an exhibition cycle called 1816-2016: the Frankenstein Bicentennial and symposium June 14-15 on Frankenstein’s Shadow: A Bicentennial Assessment of the Frankenstein Narrative’s Influence on biotechnology, medicine and policy

Frankenstein at The Royal Ballet

It Dances! It Dances!

The world premiere of a new full-length ballet, inspired by Mary Shelley’s Gothic masterpiece.

frankenstein_royal_balletNot since the hilarious “Puttin’ On The Ritz” scene from Mel Brooks’ “Young Frankenstein” has the creature of Mary Shelley’s imagination been so light on his toes. For the month of May 2016, London’s Royal Ballet will be putting the story of the mistreated and misunderstood monster and his science “father” creator from the classic “Frankenstein: or the New Prometheus” on the stage, from choreographer Liam Scarlett.

According to Scarlett, it was a chance to put his own interpretation and the story that has long been the stuff of imagination and discussion, enthralling and sometimes baffle its readers and audiences. In Scarlett’s version which, he thought would get to more of the heart of the story, “It’s not about the horror of creating life from dead matter. It’s about is love, yearning, and abandonment.”

The main characters in the ballet are Victor Frankenstein, the scientist who creates the monster, his fiancée Elizabeth, and the creature who seeks vengeance when he is mistreated and cast aside, like an unwanted child, as well as the family members surrounding them affected when Frankenstein’s creation turns against them. He wanted to get to the emotion of the story which is more a tragedy of unrequited love than of science gone awry.

The creature and his creator are no strangers to theater. The first adaptation Mary Shelley’s Frankenstein for the stage was as early as five years story after the first publishing of the work. The most famous movie version with Boris Karloff was adapted from a stage version by Peggy Webling and John L. Balderson,  and the Gothic Romantic story has made recent appearances on the stage in London, like Danny Boyle’s version at the National Theater with Benedict Cumberbatch which was filmed shown in National Theater broadcasts as cinema theaters and schools. A balletic interpretation seems timely in advance of the 200 anniversaries approaching.

The composer of the ballet is Lowell Liebermann who had worked previously with Liam Mr. Scarlett as a choreographer on two piano concertos and his other piano work “Gargoyles.”

The Frankenstein at the Royal Ballet Premiers at the London Royal Opera House Main Stage from May 4 to May 27, 2016.

FRANKENSTEIN IS ALIVE AT GREAT FULFORD

frankenstein_fulfordFrankenstein will make a dramatic theatrical appearance at one of Devon’s most famous great stately homes, the Fulford Estate. Mary Shelley’s gothic masterpiece will appear in a stage incarnation with a focus on prosthetic make-up to go with the dramatic sturm and drang of the monster created from the dead. The Great Fulford estate, a Tudor manor near Dunsford in the Teign Valley of Devon, has risen itself to television fame in recent years as the setting for the antics of the The F***ing Fulfords aristocratic family on Britain’s Channel 4, and in the BBC3’s Life Is Toff series. This theatrical version hopes to take advantage of the locale’s “spooky appeal” for the appropriate atmosphere, having hosted more than its share of ghost hunters.

Conceived and produced by the Four of Swords theater company, which specializes in inventing immersive adaptations of classic stories in unusual locations, this production intends to push into new territory with ways to make the audience experience unique and unforgettable. Cast members will lead the audience through the rooms of the Great Fulford mansion as the tale progresses, standing in for the Frankenstein manse of Geneva from the novel, surrounding  with live music and multi-media elements, involving them so close to the action that they can experience every close-up emotion of the actors’ performances and more than a few scares before the night is through.

The Four of Swords Company was founded by Sarah White and Philip Kingslan John, educators in their non-theatrical incarnations and will be complimenting their version of the Frankenstein classic production with workshops at schools, libraries and museums.

The Four of Swords’ production of Frankenstein will be at The Great Fulford estate from February 16 to 27. Tickets, priced £13, are available from Four-of-Swords.com