Shelley & Byron Lore House on Lake Geneva for Sale
An historic property on the shore of Lake Geneva associated with the lives of Percy and Mary Shelley and Lord Byron is offered for sale for €2.7 million. A plaque on the house declares that Mary Shelley wrote some pages of Frankenstein there in April of 1816. Short of the known facts that Mary did not start Frankenstein until after June of 1816, and did not arrive in Geneva from Paris until May of 1816, the house is surely connected to the travels of Percy Shelley and Lord Byron.
The now custom designed four bedroom home with beautiful lake views of the Jura Mountains is located in Nernier, Haute Savoie France, on the southern shore of Lac Leman and dates back to 1739. In Percy Shelley’s journals, he reports that on his boating trip with Lord Byron as his companion to circumnavigate the lake while Mary remained with Claire in the house they had rented, one of their first stops was at Nernier. Percy had noted that Polidori was unable to join them on their trip, due to an ankle sprain. The trip continued to the Chateau Chillon on the Swiss side, which inspired Byron’s Prisoner of Chillon.
The present house at the time in 1816 was an auberge guest inn for travelers around the lake. It has been reconstructed into a modern four bedroom single family home on upper and lower floors, which had been owned for many years by a French family, who have decided to sell, now that children have grown and moved away.
The property is situated on the harbor’s edge in the little medieval village of Nernier, about twelve miles from the Cologny neighborhood where the Villa Diodati is to be found, and across the lake from the Chateau Coppet, where Shelley and Byron visited Madame DeStael. The house can be reached by road from Geneva along the lake, or a ferry crosses the lake from Nyon on the Swiss northern shore to Yvoire on the French south shore. The winter ski resort of Portes du Soleil is an hour’s drive away.
The house is described by the real estate listing with Leggett Prestige as having an entrance hall on the ground floor with an open-plan kitchen, dining and living area and a balcony with idyllic views across the lake. The first floor has an office area and lounge with a fireplace and another balcony. The second floor has a landing with a built-in double closet and two bedrooms, one with its own balcony.
At the time of Shelley and Byron’s stay there he described it in rather a different frame:
“Leaving Hermance, we arrived at sunset at the village of Nerni. After looking at our lodgings, which were gloomy and dirty, we walked out by the side of the lake. It was beautiful to see the vast expanse of these purple and misty waters broken by the craggy islets near to its slant beached margin. There were many fish sporting in the lake, and multitudes were collected close to the rocks to catch the flies which inhabited them.
On returning to the village, we sat on a wall beside the lake, looking at some children who were playing at a game like ninepins. The children here appeared in an extraordinary way deformed and diseased. Most of them were crooked, and with enlarged throats; but one little boy had such exquisite grace in his mien and motions, as I never before saw equaled in a child. His countenance was beautiful for the expression with which it overflowed. There was a mixture of pride and gentleness in his eyes and lips, the indications of sensibility, which his education will probably pervert to misery or seduce to crime; but there was more of gentleness than of pride, and it seemed that the pride was tamed from its original wildness by the habitual exercise of milder feelings.
My companion (Byron) gave him a piece of money, which he took without speaking, with a sweet smile of easy thankfulness, and then with an unembarrassed air turned to his play. The imagination surely could not forbear to breathe into the most inanimate forms some likeness of its own visions, on such a serene and glowing evening, in this remote and romantic village, beside the calm lake that bore us hither.
On returning to our inn, we found that the servant had arranged our rooms, and deprived them of the greater portion of their former disconsolate appearance. They reminded my companion of Greece: it was five years, he said, since he had slept in such beds. The influence of the recollections excited by this circumstance on our conversation gradually faded, and I retired to rest with no unpleasant sensations, thinking of our journey tomorrow, and of the pleasure of recounting the little adventures of it when we return.”
I’m sure the beds have much improved, and if you’re got a couple a million handy and looking for a beautiful location to live in France with a literary history, this might be a golden opportunity.
Photos Courtesy Leggett Prestige BNPS
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200 years ago during that famous summer of 1816 when Mary and Percy Shelley left England for the second time to travel to Switzerland, where they would meet up with Lord Byron on the shores of Lake Geneva for the oft-told ghost story competition and the beginning of Frankenstein, it required about four days to travel from Paris to Geneva, by hired coach, with room for Clare and a few servants to carry all the luggage. Today, traveling from Paris to Geneva with a small group of friends or family takes 3 hours by train, on the High-Speed TGV-Lyria, the “bullet train’ of the SCNF French Railway.
The most famous assassination of a Habsburg was the shooting of the Archduke Ferdinand by Yugoslav separatist Gavrilo Princip, while riding in a car in Sarajevo in 1914, which is deemed to be the catalyst which led to the beginning of the First World War. This was not the first murder of an Austro-Hungarian royal while traveling. Mary Shelley set the tragic events of her novel Frankenstein on the shores of Lake Geneva with the murder of Victor Frankenstein’s son on the Plainpalais by the creature he had created. This was the terrible retribution for his hubris of creating a living being and then abandoning him. A similar case might be made for the turning of the anarchists on the imperials in class warfare. The French Revolution, of which Mary’s mother Mary Wollstonecraft had been a witness and had written about, and the resulting end of the Emperor Napoleon, had been one of the draws which had brought Mary and Percy to Paris on their elopement tour in 1814 as told in the 
As Geneva celebrates the 200th anniversary of the origination of Frankenstein, for history buff sight-seeking visitors to Geneva who might be drawn by the story of Frankenstein, and looking for more to explore, here is an account of the curious murder of one of the most sympathetic of the Imperial family of Habsburgs who ruled and dominated the life of Central Europe.
On Saturday, the 10th of September, at 1:35 in the afternoon, Sisi and her lady-in-waiting and traveling companion, the Countess Irma Sztáray, 35, left the hotel to walk the short distance to the harbor dock to catch the steamship Genève for a scenic cruise journey to Montreux where she was residing. The empress like many others had followed the “Grand Tour” which began with the writings of Byron and the other romantics. The Empress Sisi didn’t like “processions,” and she had ordered that her servants take the train ahead to Territet on the lake shore at Montreux where they would meet the boat after she had taking the scenic 
The two women were strolling on the promenade when a 25-year-old Italian man approached them. In an account by Countess Sztáray, the young man tried to peek under her mistress’s parasol, then, just as the ship’s bell rang to signal the departure, the man stumbled against her and made a movement with his hand as if he was trying to catch his balance. She was unaware at the moment it happened that he was actually holding a small weapon made of a sharpened four inch long needle file embedded into a wooden handle. The attacker was an Italian anarchist named Luigi Lucheni. The tool was used to file the eyes of industrial needles, intended by the assassin as a symbol of the rise of the industrial worker against the oppressor, and he later pronounced this as part of the anarchist creed, the “propaganda of the deed”, promoting the change of society by a violent action. His original plan was to assassinate the Duke of Orleans, a pretender to the throne of France, but the duke had departed on a tour of the Swiss Valais before he could make his move. Then, a Geneva newspaper had reported from the hotel source that a guest staying under the name of the “Countess of Hohenembs” was in fact the Empress Sisi of Austria, and he changed his target.
After Lucheni had made his sly attack and moved swiftly on, neither woman realized the seriousness of what had happened, that she had been stabbed. The empress weakened on her feet and a nearby coach driver rushed to assist her. He signaled to the concierge of the Beau Rivage, an Austrian named Planner, who was watching. Rather than return to the hotel, the coachman helped the two women to the boat dock, about a 100 yards, and up the gangway to board the Genève steamer. Countess Sztáray relaxed her hold on the empress’s arm and at that moment she collapsed unconscious on the boat deck. The companion called urgently for a doctor, but there was none on board and only a fellow passenger, a former nurse, came to aid. The captain of the Genève, a Captain Roux, was unaware of the true identity of the ill passenger and since it was a very hot day, advised that her companion should take her back to the hotel. This was impossible as the boat was already departing from the dock, and sailing out of harbor onto the lake. Three men carried the empress to the top deck and laid her on a bench. Countess Sztáray then opened her gown and cut the laces of her corset so she could take air. The empress came around briefly and her lady-in-waiting asked if she was in pain. “No”, Elizabeth answered, and then asked, “What has happened?” They were her last words as she lost consciousness.
The wife of the hotel chief was a nurse and when she and Sztáray began to undress the empress’s layers, they finally noticed the small stain of blood and the tiny puncture wound. The empress was still. She had breathed her last breaths as they had carried her into the room, but when they lifted her to a bed, she was certainly dead. Two doctors arrived and a priest. Dr. Mayer made a small incision in her arm, but there was no blood flow, and the Empress Elizabeth was pronounced dead at 2:20 pm and that Saturday afternoon. An autopsy was performed by Dr. Golay, who determined that the thin tool, just three and third inches, had pierced the lung and penetrated the heart. The pressure from the tight corsets the empress wore to control her slim figure, had kept the blood flow from the surface and had kept the empress from being aware of the wound. When the corseting was removed, the blood hemorrhage had filled the pericardial sac, stopping the heart.
She had been placed in placed in a triple coffin, with two inner lead linings and a bronze exterior case with lion claw feet. On Tuesday, before the coffins were sealed, Franz Joseph’s official representatives arrived to identify the body. The coffin had two glass panels with doors which could be slid back to view her face. Eighty-three sovereigns and the nobility of the Austro-Hungarian Empire followed the funeral cortege of the hearse to her burial in the Habsburg crypt at the Church of the Capuchins in Vienna. The tomb inscription first denoted “Elisabeth, Empress of Austria”, but the words “and Queen of Hungary” were added after the protests of Hungarians.
The assassin had made his escape from the harbor down the Rue des Alpes and tossed the weapon into the doorway of No. 3 Rue des Alpes, which is now a storefront abutting the 
Luigi Lucheni was actually born Paris and left as an orphan and spent most of his life in Switzerland, so he was only really Italian by the parentage of his mother. But the news that the assassin of the adored Sisi was “Italian” caused a wave of anti-Italian reprisals through Switzerland. There was concern that a wave of political attacks was coming from cells of anarchists, but Lucheni claimed he was acting alone. But a few months later, the International Conference for the Social Defense Against Anarchists was held in Rome, but it failed to curb the movement, until another anarchist would fire the shot which sent the world into war and ended empires.
TCM cable channel Turner Classic Movies recently ran a Boris Karloff day and I had a chance to watch the 1931 Frankenstein and the 1934 Bride of Frankenstein shot four years later, both directed by James Whale. The difference between the two movies was quite fascinating. Boris Karloff had gone in the credits from a “?” to simply the one name KARLOFF by the send movie, having become a household icon in between. The original film deviated so far from the original book to be almost unrecognizable, and oddly switched Victor to Henry Frankenstein and Victor’s friend from the book to Victor in the movie. The Bride of Frankenstein went back to the book to borrow more, and famously dramatized the introduction with Byron and Percy Shelley in Geneva.
The Frankenstein Village set had changed quite a bit as well. In the original it was a Bavarian style village with the Frankenstein family house a high ceiling mansion in the middle of the village with an entrance looking out on the street. In the Bride of Frankenstein, the town had turned into a larger walled castle city with a gate and drawbridge. In the first movie, the science lab was in a mill tower on a hill, in the second, a castle tower as part of the city complex. Both films were shot on the Universal studio back lot.
The 1931 Frankenstein village set was actually built for the World War I epic “All Quiet on the Western Front” shot by Lewis Milestone a year earlier in 1930, for where the soldiers left home to the fervor of marching bands, before the devastations of war. The archways and street scenes can be recognized between the two films, with the archway into town shot from different angles. Some small parts of the Old Europe called the Court of Miracles set on the Universal backlot is still there but much of the set areas were burned in a fire at the studio some years ago. A few remnants called Little Europe still remain on the 
The stored laboratory sets and equipment were famously used again in Mel Brook’s “Young Frankenstein” and some of those props still remain in the Universal props shop. The lake where the little girl scene was filmed is out in Agoura about 40 minutes from Universal out the 101 highway. Malibu Lake is now surrounded by houses and a golf course. The Paramount Movie Ranch with its much used western town set is about five minutes away from the lake, and is now actually a National Park as part of the Santa Monica Mountain Recreation Area, but the western sets, used for countless movies and TV shows also recently burned in a wild fire.
2016 is the 200th anniversary year of the romantic poets and Frankenstein inspiration in Switzerland. A number of events and exhibits are being offered to celebrate the “romantics summer” of 1816.
While the tale of the ghost story competition at the 
During the special exhibit a self-guided tour of 
Several events are being held in 2016 and 2017 to celebrate Lord Byron and the friends coterie of the friends’ stay in Switzerland. The Musée du Léman holds an exhibition, Wanted! A la chasse sur le lac will be open until January 8, 2017. Byron himself appears in a large fresco by the artist Aloys. In Italian speaking Switzerland, just beyond the newly inaugurated Gotthard Base Tunnel, the 
Ever since the publishing of the 1831 edition of Mary Shelley’s masterwork “Frankenstein: Or, the Modern Prometheus”, Geneva, Switzerland has been the touchstone of lore surround the creation of the most famous work of Gothic literature, with the story of the competition between the romantics gathered on a dark and stormy night when Mary Shelley had a nightmare, waking dream, where she got the idea for a creature brought to life by a student of science.
In the lower exhibit floor of foundation library, a row of glass cases hold 15 hand-written note pages of the first from draft version of the classic story beginning “I beheld the wretch—the miserable monster whom I had created; he held up the curtain, and his eyes, if eyes they may be called, were fixed on me.”
Mary Wollstonecraft Shelley probably did not spend a lot of time in pubs, as in very few casual meetings or clandestine trysts of “meet me for a pint”, though in her travels she certainly stayed in many inns of one kind or another, as in a few scenes in “Frankenstein Diaries: The Secret Memoirs of Mary Shelley“, but 200 years after creating the classic of Frankenstein she finally has a pub named for her.
While not the half-timber historic sort of pub from days past, but rather a new and modern restaurant and part of the Wetherspoon’s chain of pubs, 
