New Paperback Edition of Secret Memoirs of Mary Shelley

A new paperback edition of “Secret Memoirs of Mary Shelley: Frankenstein Diaries” with an updated cover is available for bookstores and libraries through Ingramspark and through Amazon. The cover is of Mary Shelley as she writes her book and dreams of her visit to the castle on the Rhine where her experiences would suggest a story to her. The novel tells the story of Mary Godwin’s elopement with Percy Shelley and Mary’s step-sister Claire Clairmont on a journey of discovery as they walk across France to Switzerland.

Secret Memoirs of Mary Shelley  – E-Book

Secret Memoirs of Mary Shelley – Paperback

Get Mary Shelley Memoirs Audiobook Free with Trial

Free Frankenstein Audiobook from Audible for Pandemic Listening

Mary Shelley's Frankenstein Dan StevensIn the face of the coronavirus pandemic, Audible is stepping forward to serve all those closed schools, kids, and stay-at-homes with free access to a broad assortment of titles, mostly works in the public domain of classic literature, fable and fairy tales and children’s stories. One of them available without requiring a password or login is Mary Shelley’s Frankenstein: or, The Modern Prometheus, narrated by Dan Stevens of Downton Abbey fame.

The free audiobooks are available at stories.audible.com.

Other classics include the likes of Charlotte Bronte’s Jane Eyre, narrated by Thandie Newton of Westworld, and Arthur Conan Doyle’s The Return of Sherlock Holmes, Jack London’s Call of the Wild , Rudyard Kipling’s Jungle Book, Jane Austen’s Pride and Prejudice and children’s titles like Winnie The Pooh. and Beatrix Potter stories.

The intent is for learning opportunities for younger folks, but while you’re at home waiting for the Covid-19 epidemic to pass by your door, why not read up on a few classics.

According to the Audible site: “For as long as schools are closed, we’re open. Starting right now, young and old everywhere you go can quickly stream an amazing selection of stories, including titles in six distinctive languages, that will assist them to go on dreaming, studying.”

All stories in five collections are free to stream to desktop, laptop, phone or tablet.

If you want to listen to Mary Shelley’s Secret Memoirs for a free trial with a signup if you’re new to audiobooks. Free with Trial at Audible.

Secret Memoirs of Mary Shelley Audiobook at Amazon

Secret Memoirs of Mary Shelley  – E-Book

Frankenstein Diaries: Secret Memoirs of Mary Shelley – Paperback

Mary Shelley Memoirs Author Interview at Witch Haunt

Frankenstein Castle Karloff Halloween HauntThe Horror Authors Witch Haunt blog recently featured an interview guest post with “Secret Memoirs of Mary Shelley: Frankenstein Diaries” co-author Michael January on the release of the audiobook narrated by Heidi Gregory on Audible, and just in time for Halloween, discussing how the book defies genre.

While the Secret Memoirs is not a horror book, Mary Shelley is the reputed “mother” of horror and with the founding of the origins of Frankenstein, suitably timely. The Frankenstein castle has in modern times become a major spot in the world for celebrating Halloween. While the spectral figures of witches and ghouls have been haunting the thick woods for millennia, making their appearances in Grimm’s Tales and Gothic legends and Romantic Tales of Terror, the tradition of parties with costumes on All Hallows eve didn’t really take hold in Germany until the arrival of American soldiers stationed there after the Second World War, who brought some of the home customs with them.

Defining the genre of the Secret Memoirs has been a bit of a challenge, as it takes a unique approach to the Mary Shelley biography, at the same time a novel and a look at history through the eyes of a real life participant in it. It is to quote, “a romantic adventure in the Regency Period of contemporary Jane Austin, a young adult coming of age story, a history of post–Revolution Napoleonic France and the London publishing world, a family drama of personal tragedy, and an exploration of the heart and mind of a young woman seeking a connection to the mother who died in giving her birth, and the creative formation of a young writer of genius accomplishment.” The audio format with the voice of Mary Shelley telling her own story is an especially intimate way to experience the young lives of Mary, Clair and Shelley as they lived them.

With the 200th anniversary of the first publishing of Frankenstein, the book world has filled with myriad biographies about Mary Shelley, and her mother Mary Wollstonecraft, examining the girl who wrote Frankenstein and academic examinations, even a biopic movie, but none as intimate and personal, told in her own words and experiences as she lived them.

How much is fact or fiction in the Secret Memoirs is outlined elsewhere here on Frankenstein Diaries. The book itself, ebook, paperback or audio book can be found here.

Secret Memoirs of Mary Shelley Audiobook
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Amazon https://amzn.to/2LcopPe

Ebook and Paperback
http://www.amazon.com/dp/B00W6R8V0G

Review Quote from the Historical Novel Society: “An entertaining ‘collaboration’, exhaustively researched, skillfully adapted…long on memorable characters that will make readers see the seminal classic Frankenstein in a new light.” Historical Novel Society

Frankfurt Book Fair 2018 – Aces to Show at Combined Book Exhibit

Aces Pilots in WW2 Battle of Britain Book CoverSo I have my first book going to be launched at the Frankfurt Book Fair with a full page ad of reviews in the display catalogue. The Frankfurter Buchmesse is the oldest and largest of book trade fairs in the world. It is so iconic, I included the Frankfurt Book Fair in a screenplay I wrote. It isn’t a movie, yet, but still might be. I had a German countess who moonlighted as a murder mystery novelist writing under a pseudonym, and the story begins with her at a book fair. I thought Frankfurt for the tradition. There is a draft where it’s the London Book Fair for location incentives, but that’s another story.

Now, I’m going to be at the Frankfurt Book Fair, or at least my book, my second novel. an epic story of love and war and American pilots who volunteer for the RAF and fight in the Battle of Britain, Aces. It begins in the pre-war years where two students at Princeton, an America and German who fly as competitive racers in the Thompson Trophy air races of aviation innovation are both vying for the love of the same girl. She marries the German and they end up duking it out in the skies over the English Channel. Aces: Pilots in WWII Battle of Britain, being published by Winged Lion Publications.

I get promotional emails from time to time from the Jenkins Group, a self-publishing service company, offering a variety of services for indie authors. One thing they do, along with other marketers of author services, from Publishers Weekly to Lulu, is offer placement of indie author books at book fairs. They are basically resellers for the Combined Book Exhibit which has been displaying books at markets and trade fairs since 1933. The Combined Book Exhibit can display upwards of 1200 books per show, from a variety of publishers from major imprints like Random House to specialized niche publishers, micro-publishers, down to indie self-published authors.

Aces Pilots Novel Review Quotes Frankfurt Book Fair

Since my second novel was coming out at the time I got the latest “deadline approaching” notice for the Frankfurter Buchmesse, the timing seemed fortuitous. The book has been getting some very positive reviews and quotes, from the Book Life Prize, Kirkus Reviews and Reader’s Favorite. The assorted costs that arise in marketing a new release indie book seem to come like arrows in a Robin Hood archery contest, with book review upgrades, and assorted listings and applications. The idea of spending $200 to send a book to sit on a shelf at a book show with 7,000 exhibiters seemed of uncertain value at best. But with the great review quotes to put into a full page ad, for an extra $150, seemed like a reason to take the chance. The book has German content and seems suited to an international audience, so Frankfurt seemed a natural place to launch it for the world market.

In searching about for advice or blog posts about participating with the Combined book Exhibit, to see whether it was worth the money, a scam to squeeze a few dollars out of unwashed hopefuls, or a fool’s dream, I was surprised to find very precious few authors or indie publishers who had actually tried it and had anything to say about the result, whether it was worth it or not. I found a few posts on Alli and some other independent book author sites cautioning that it was not worth it for an individual book to sit on a shelf among thousands of others, with no one to actually promote it, and that the Combined Book Exhibit booth tenders wouldn’t really know anything about it, or direct visitors to it.

As of this writing (in September) the book fair appearance is yet to come, so the outcome is unknown. A factor in my choosing to go ahead was that I thought my cover might visually stand out on a shelf, and I could direct visitors to it by advertising it in the catalogue. The $150 for the full-page ad for Frankfurt goes in the booth catalogue, and not any show-wide guide, but at least in the booth is a close “captive” targeted audience, presumably with an interest in indie books with the review quotes in the ad the selling point, and more value than the book on the shelf. And visitor can take the catalogue home or back to the office for a lingering presence beyond the show shelf.

My dealings with the Jenkins Group, through Andrew Parvel, and with Combined Book Exhibit, where I called to get some clarification about deadlines and requirements, and where I apparently was directed to the head of the company have been direct and uncomplicated so far. I did get the feeling that dealing with individual authors/micro-publishers is not an everyday focus, as some of the processes and answers to questions seemed a little standardized.

Combined Book Exhibit and Publisher’s Weekly have joined in combined online world rights sales interface service which offers the possibility for listing books for international rights and provides a standard contract, and means of collecting royalty payments, through Global Rights Network on Pubmatch. It was launched about three years ago, but I don’t know how much it is used by rights holders.

I will follow up this post after the show to update on the results, if any. Though, having a book introduced at the Frankfurt Book Fair brings some bragging rights on its own and alone may be worth the price of entry.

Aces: A Novel of Pilots in WWII Battle of Britain Amazon US

Aces: A Novel of Pilots in WWII Battle of Britain Amazon UK

Aces 5 Star Review Readers Favorite

Aces Review Online Book Club

Aces – Rights queries on Pubmatch

Aces: A Novel of Pilots in WWII Battle of Britain

Aces: A Novle of Pilots in WWII Battle of Britain by Michael JanuaryAn epic love story of war and friendship in the Battle of Britain of WWII.

It’s 1935. Lacy Dunbrough is nineteen and in love with two friends from Princeton, one American, one German who fly in the Thompson Trophy air races. Pressured by her parents she is forced to choose. As the former friends become enemies on opposite sides in the Battle of Britain she is faced with another choice.

Kirkus Review “In the 1930s, Aaron Miller and Michael “Miki” von Steuven are both students at Princeton University and the best of friends, despite hailing from radically disparate backgrounds. Aaron’s father is a Polish immigrant who moved to New York nearly penniless and built a wildly successful construction business. Miki grew up in Westphalia; his father is a German noble and the family’s prestige and wealth are tied to an ancient pedigree. But both students are talented pilots, and bond over the amateur races they enter and routinely dominate. These competitions are thrillingly portrayed…. The pilots’ friendship, though, is complicated by a shared passion for Lacy Dunbrough. While she loves Aaron, she’s perpetually frustrated by his unserious impetuosity, and her family unabashedly prefers Miki. Miki proposes to Lacy and she accepts. The two move to Germany but she is quickly dismayed by Hitler’s increasingly ominous rule and the malignant treatment of the nation’s Jewish population. Miki joins the Luftwaffe and is sent to Spain, and Lacy begins to worry that he has changed in some profound way she cannot countenance. Meanwhile, Aaron decides to decamp for Canada to join the Royal Air Force, eager to do his part as war finally breaks out in Europe. A grand showdown seems…inevitable, and the emotional stakes are effectively raised when Aaron believes Miki has shot down one of Aaron’s closest friends. In his propulsive tale, January vividly captures the fast-paced terror of combat in the air, and the peculiar mixture of precision and bravado displayed by the best pilots. An action-packed…war tale.”

Brooks Wachtel, Creator of History Channel’s “Dogfights” “ACES is an aviation-fueled rip-roaring read…filled with romance, suspense, wonder and danger…Well researched and enjoyable.”

Online Book Club Featured Review “It begins with a thrilling flying competition…a rivalry between two former friends…turned to enemies fighting on opposite sides. The author weaves themes of friendship, romance, love, war, and loyalty into a perfect story…made more intriguing by numerous twists and turns. Fascinating… Action-packed… Astonishing…” 4 out of 4 Stars!

For Kindle at Amazon ACES: A Novel of WWII Pilots

Paperback Aces: Novel of American pilots in WW2 Battle of Britain

Nook at Barnes & Noble

Michael January Historical Fiction Novels

 

Mary Shelley in Bath – Frankenstein Begins

Tragedy, Turmoil and Creativity for the Shelleys in Bath

5 Abbey Churchyard Bath

Shelley’s 5 Abbey Churchyard

The city of Bath makes a great deal of fuss about its place in the life of Regency author Jane Austen. There’s an Austen Centre, exhibits and annual celebrations, tour marketing and the like. Austen lived in Bath for nine years from 1800 to 1809, but her time in Bath was not especially significant in her own literary history. She wrote the drafts of her completed novels before moving there, and she was not published until after she had left. While for the longest time, the city barely acknowledged its place in the life of Austen’s contemporary author, Mary Shelley, who developed and wrote a significant portion of her greatest work while a resident there. A museum for the author of Frankenstein is now in the planning stage.

Though only a fairly brief five months, the time spent in Bath by Mary Godwin, Percy Shelley and Clare Clairmont in 1816 were some of the most tumultuous and eventful in their story and in the formulation of Mary’s novel of Frankenstein. Within this few months, a birth and two suicides would deeply affect them, and by the time they left, Mary Godwin would be Mrs. Mary Wollstonecraft Shelley.

After departing the company of Byron in Geneva, the Shelley party, Shelley, Mary, Clare, the Shelleys’ two-year-old son, William, and a nurse, Elise Duvillard, hired in Switzerland, returned back to England. They travelled through France on a different route than they had taken in 1814, passing through Dijon, Auxerre, and Villeneuve, while stopping for brief tourist visits at the palaces of Fontainebleau and Versailles, and to Rouen for the Cathedral. They sailed from Le Havre to Portsmouth on the 8th of September, 1816.

Bath Then and NowFrom Portsmouth, Shelley separated from the two sisters to see his friend, Thomas Peacock, in Great Marlow, while Mary and Clare went to Bath. Clare’s pregnancy by Byron was beginning to show or make her condition, at least, clear by this time, and the idea was to find a distant lodging from London. Mary was still estranged from her father for her relationship with Shelley and they thought to conceal Clare’s condition. She was still using alternate spellings of her chosen name, Claire or Clare. It was mostly Claire in Switzerland and France using the French spelling, and Clare or Clara in England. Mary was confused enough to use both spellings in the same letter, while others of the family were still calling her by her birth name, Jane (Mary Jane, after her mother).

Mary Godwin wrote two diary entries of their arrival in Bath:

Tuesday, September 10.—Arrive at Bath about 2. Dine, and spend the evening in looking for lodgings. Read Mrs. Robinson’s Valcenga.

Wednesday, September 11.—Look for lodgings; take some, and settle ourselves. Read the first volume of The Antiquary, and work.

Mary had begun a short story version of the “nightmare” vision of that summer while in Switzerland, which Byron had referred to as a “Pygmalion” tale of making a man, but with Shelley’s encouragement, she had decided to write a full novel, which she began in earnest at Bath, writing the first chapters of Frankenstein. She had been writing in a notebook she had purchased in Geneva, but purchased new English paper notebooks in Bath for her longer vision.

The Shelleys had two lodging locations in Bath. The first address was No 5 Abbey Churchyard, on the main square across from the west front of the Bath Abbey. That building, which housed a reading library which may have attracted Mary’s notice, and apartments, was torn down in 1889 to make way for the addition of the Victorian Queen’s Bath expansion of the Bath Pump Room. The other address was two blocks away at No 12 New Bond Street. Shelley was travelling for much of this time, dealing with money issues, negotiations with his father, Sir Timothy Shelley, over his inheritance and the two tragic suicide events, as well as looking for a hoped permanent house to settle in near his friend in Marlow.

In early October, Shelley was corresponding from the 5 Abbey Churchyard address to both Godwin, regarding money he had promised to lend, and to publisher John Murray regarding the eminent publishing of The Third Canto of Byron’s Childe Harold. Shelley was waiting for the publishing proofs to be sent to him at that address where he expected to remain for the winter. For her part, Mary addressed her letters from the 12 New Bond Street address, where Clare was residing. One might conjecture that this was an attempt to show Shelley and Mary, still unwed, to be living separately, or they may have set the nurse and her son in New Bond Street with the pregnant Clare, so that she could be with Shelley when he was in Bath. Mary referred to her step-sister, “looking in on” her, so they were for at least some time apart.

Not long after settling, Mary travelled to Marlow on the 19th of September to meet Shelley and returned on the 25th. They received an alarming letter from Fanny sent from Bristol on the 9th of October and Shelley went to find her, following her to Swansea where she had committed suicide. Mary noted in her diary on 12 October “buy mourning” purchasing mourning clothes for Fanny’s death, although there was no funeral and the body was unclaimed to keep her anonymity and reputation. Mary was writing Frankenstein off and on through this period with a number of references to writing in her diary, making revisions as she went.

She was reading sea voyage literature at this time, suggesting she was writing the Captain Walton beginning of the novel, inspired by her youthful visits to Dundee, Scotland. She was also reading Sir Humphrey Davy’s reference on chemistry, as she was working on Victor Frankenstein’s studies and scientific background. Davey was the originator of ideas of electro-chemistry and voltaic batteries which had so intrigued a young Percy Shelley at Oxford.

Mary wrote a letter on the 5th of December in good spirits to Shelley in Marlow that she had completed “chapter four” (the bringing to life Victor’s creature), but also involving Safie and the creature’s language learning, which she noted she thought was long. She later edited this significantly shorter for the published 1818 version, separating into two chapters. She was also concerned with Shelley’s tendency to latch onto the first house he might find, and seemed to have a wish not to have to live with her sister, which had been nearly constant for two years.

“I was awakened this morning by my pretty babe, and was dressed time enough to take my lesson from Mr. West, and (thank God) finished that tedious ugly picture I have been so long about. I have also finished the fourth chapter of Frankenstein, which is a very long one, and I think you would like it. And where are you? and what are you doing? my blessed love. … in the choice of a residence, dear Shelley, pray be not too quick or attach yourself too much to one spot. … A house with a lawn, a river or lake, noble trees, and divine mountains, that should be our little mouse-hole to retire to. But never mind this; give me a garden, and absentia Claire, and I will thank my love for many favours.”

In November, Shelley was reading Plutarch’s “Lives” and Milton’s “Paradise Lost”, and this seems to have crept into Mary’s writing, as she has the creature reading these while in the De Lacey Cottage in Chamonix.

Shelley returned to Bath from Marlow on the 14th of December, but the next day, the 15th , was informed in a letter from Thomas Hookham that his wife, Harriet Westbrook Shelley, was found drowned in the Serpentine Lake of Hyde Park. She had been missing from her residence for three weeks. She was named only as Harriet Smith at the inquest, a named she had used for a lodging in Queen Street. She had left no note, and little evidence was given, though a rumor suggested she was deserted by a household groom and that she had a proclivity to suicidal thoughts since her youth. The London Times reported only that a respectable lady she was found drowned “advanced in pregnancy”. Mary made no comment on the event of Harriet’s death, but she was enthusiastic to support Shelley’s effort to take custody of the children, Ianthe and Charles, and the Shelleys were now free to marry and hoped for a reconciliation with her father.

“How very happy shall I be to possess those darling treasures that are yours. I do not exactly understand what Chancery has to do in this, and wait with impatience for to-morrow, when I shall hear whether they are with you; and then what will you do with them? My heart says, bring them instantly here; but I submit to your prudence. You do not mention Godwin. When I receive your letter to-morrow I shall write to Mrs. Godwin. I hope, yet I fear, that he will show on this occasion some disinterestedness. Poor, dear Fanny, if she had lived until this moment she would have been saved, for my house would then have been a proper asylum for her.”

Shelley returned to visit Peacock in Marlow to search for a house they might take as a permanent residence and visited Leigh Hunt, the Publisher of the Examiner, beginning a long friendship. Mary Godwin and Percy Bysshe Shelley went to London on December 30, 1816 to be married at St Mildred’s Church, and stayed with the Leigh Hunts. Godwin and Mrs. Godwin also attended the wedding. It was the first time Mary had seen her father since he banned them from Skinner Street after their return from the elopement in 1814. Clare stayed in Bath and Mary promised her a quick return.

Mary stopped writing on her novel during this time. Clare bore her daughter on January 12, 1817. She first named her Alba, in honor of the Shelleys’ nickname for Lord Byron, “Albe” (LB), put prudently changed the name later to Allegra, to avoid the too obvious connection. Mary wrote of “4 days of idleness” in her diary. Her son William’s first birthday was on January 24. Shelley had been in London since the 6th in Chancery Court arguing for custody of his children by Harriet, a suit he lost, despite Mary’s enthusiastic support. The Westbrooks had fought against his taking in the children, using his “atheistic” writings in Queen Mab as evidence of a lack of moral fitness. The children were sent to an unrelated clergyman in Warwick where Harriet had been living. The Shelleys left Bath on February 27, 1816 for Marlow. Mary was pregnant for the third time and beginning on a second notebook volume of her novel.

Take short tour of Bath today.

Secret Memoirs of Mary Shelley  – E-Book

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Did Mary Shelley lie about the origin of Frankenstein?

Mary Shelley's Lost Book HateThe story has been told over and over, repeated by journalists, films and bloggers for almost 200 years. You know the familiar story, Mary Shelley, Lord Byron, Percy Shelley and John Polidori gathered around a fire on a dark and rainy night in the summer of 1816 on the shores of Lake Geneva. They made a bet with each other who could write a scarier ghost story than the “penny dreadful” writers of the day. Mary Shelley went to her room and woke up from a dream, proclaiming she had seen the vision of a student of sciences standing over the horrible creature he created, and the thus began her inspiration to write her famous novel “Frankenstein: or, The Modern Prometheus”.

This telling appeared in the 1831 edition of the book, after the novels first appearance in 1818 without an author’s name and after becoming a scandalous sensation, came out in a new edition in 1822, with an introduction written by Percy Shelley, and then again in 1831 after Shelley’s death in Italy, with the lengthy preface, in which Mary said she included it after constant requests by readers to tell of how she came up with the story, told of how she struggled for several days to think of a worthy ghost story, and then finally one night, as she lay to sleep, “I saw—with shut eyes, but acute mental vision,—I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. I opened mine in terror. The idea so possessed my mind, that a thrill of fear ran through me, and I wished to exchange the ghastly image of my fancy for the realities around.”

But is this story the full truth? As Mary said herself, “Everything must have a beginning, and that beginning must be linked to something that went before.” Authors do not wake up one morning and invent a full story. An idea, a concept, a vision, surely, but invariably informed by a personal past, a connection to something deeper in a lived experience. Mary drew for her characters and setting the world of Switzerland around her, the streets of the Plain Palais of Geneva and Mont Blanc outside her window. Yet, from where would the inner life of such a collection of characters of passion and betrayal come from in a young woman of eighteen? The influences of the exciting sciences of the day, electrified vermicelli and the buried, thought dead, ringing the bells from their coffins as they awoke from comas before they might be buried, were all around in the brewing ferment of the enlightening days of the late 18th and early 19th century. The author could infuse and develop these themes as the story took shape over time. But did Mary draw upon an earlier work to shape her first published book?

At the end of her “Six Weeks Tour” elopement with Percy Shelley and her step-sister Claire in 1814, Mary began her first attempt at a novel, which she entitled “Hate”. She never finished it or published it, and this seminal work of a young budding author of remarkable talent has never seen the light of day and Mary Shelley did not reveal its themes or content.

There has been considerable academic discussion over the years about how much her husband, Percy Shelley, may have contributed to the writing of the Frankenstein novel. Certainly, he encouraged her in the writing of it, and he may have offered some editing of it, but how much does he actually appear in the characters of the novel, and who else is represented in the pages? Was Mary’s first attempt at a novel, with the theme of an unexplained hate, also an influence or cannibalized in the writing of the second work? And was Mary Shelley being artfully discreet in her description of the events of that summer in Geneva?

In her public writings, Mary Wollstonecraft Shelley was very careful in her telling of personal events to leave in the editor’s bin any of the extraordinary personal trauma of her life, mentioning only in the slightest passing of a phrase the deep emotional struggles and passions that must have accompanied the passionate personalities which surrounded her. Deaths of her first born, two suicides, the scorn of society, the longing for a mother and hated step-mother, betrayed by an idolized father and the willful schemes of a step-sister which brought them, with an illegitimate pregnancy, to the doorstep of Lord Byron’s summer rental.

This suggests a thematic origin of something well beyond a ghost story about the hubris of science born in an instant from the image of a waking dream. Did that waking image really come from a past experience and more deeper personal meaning than just a casual story competition. Why did she never reveal from where she derived the unusual title name?

And did Mary Shelley finally reveal the truth behind this waking vision shortly before her death in a discovered confession in the form of a personal memoir of her first journey to Switzerland, in a fuller and more intimate “revised” version of her six weeks tour in the Secret Memoirs of Mary Shelley.

Secret Memoirs of Mary Shelley  – E-Book

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Frankenstein In Switzerland

Follow the travels of Mary Shelley, Percy Shelly and Lord Byron in Switzerland

Villa Diodati Plate Overlooking Lake Geneva

Villa Diodati on Lake Geneva

Most people casually familiar with Frankenstein who have not read the novel, usually seem to get the idea that the creator of the monster was German and the events happened there. This mostly comes from the movie and the name, with lots of Bavarian costumed villagers carrying pitchforks on a Hollywood backlot. Though for anyone truly familiar with Mary Wollstonecraft Shelley’s novel of “Frankenstein: or, The Modern Prometheus” know that Victor Frankenstein was from Geneva, Switzerland, and many events of the story take place in and around the Lake Geneva region of southern Switzerland. And curiously, though the name is German in origin, Geneva is in French speaking Switzerland, so the added confusion.

Many fans of the story are familiar a bit with the story of the beginnings of Mary Wollstonecraft Shelley’s novel of Frankenstein, related in a later edition introduction to the book, telling of the summer of 1816, when Mary Godwin, Percy Byssche Shelley, and Lord Byron, along with travelling companions John Polidori and Claire Clairmont gathered on the shores of Lake Geneva at a villa rented by Byron, and the contest to tell a scare story, but there is far more to discover in Switzerland than a single rental villa from long ago.

Those fascinated with the origins of the most famous monster story and the inspirations of the Romantics, the authors of the late 18th and early 19th Century who came to Switzerland to discover the still pristine wonders, might follow the clues left buried in the pages. Many of the passages in the Frankenstein novel are taken almost directly from the journals of the Shelleys’ travels.

Rousseau Plaque Geneva

Jean-Jacques Rousseau Birth House Geneva

A tour to follow the romantics might start in Geneva. The founders of the Romanticism movement in English literature were inspired by Genevan author Jean-Jacques Rousseau whose “Julie, or The New Heloise” based on a then “modern” retelling of the French legend of Abelard and Heloise, which Rousseau sets in scenes around Lake Geneva, attracted the likes of Byron and the Shelleys.

The Villa Diodati in the upscale Cologny suburb of Geneva where Byron stayed and the ghost story contest legend originated is not open to tourists, but is a private residence. But nearby, is the Bodmer Library, with a collection of rare books and manuscripts, which would have fascinated the Shelleys. While Mary and Claire stayed behind (Mary had brought her infant son and Claire was pregnant) Byron and Percy Shelley sailed a boat around the lake, visiting the castle of the Chateau Chillon and sites around Montreux (Clarens) and Vevey. Just as they did, you can visit the most famous castle in Switzerland and taste the wines of the 500 year old vineyards of the Lavaux Region.

Chateau Chillon Montreux

Chateau Chillon Lake Geneva

Byron and Shelley stopped at Ouchy in Lausanne where now the Lake Geneva Cruise boats depart for cruises of beautiful Lake Leman. Byron began his story of the Prisoner of Chillon while they stayed in the Hotel d’Angleterre in Ouchy, now commemorated with a plaque and a partner hotel of the neighboring Beau Rivage Palace Hotel. The Shelleys stayed at the Hotel d’Angleterre in Geneva (Secheron) before meeting up with Byron. The original of that one is gone, but an historic luxury hotel of the same name, for its English tourist visitors on the Grand Tour, remains about a block from where the original stood. Lord Byron also paid several visits to the literary salons of Madame de Stael, a nemesis of Napoleon and a renowned author herself, at her Chateau Coppet, which is open to the public.

Mary Shelley took many of the inspirations for the settings of her novel from the environs of Geneva. The murder of Victor Frankenstein’s son, William, by the monster he created she set on the Plaine de Plainpalais, where an art statue of the creature now stands, affectionately named “Frankie”. She chose this location because of its connection to Rousseau, when even then a monument to him was located there for its part in the uprising of the common man. The Frankenstein family house she set within the town of Belrive (Collogne-Bellerive), on the south shore of the lake, a short distance from where the Shelleys’ rented a house to be near Lord Byron’s rental at Villa Diodati in Cologny.

   “It was completely dark when I arrived in the environs of Geneva; the gates of the town were already shut; and I was obliged to pass the night at Secheron, a village at the distance of half a league from the city. The sky was serene; and, as I was unable to rest, I resolved to visit the spot where my poor William had been murdered. As I could not pass through the town, I was obliged to cross the lake in a boat to arrive at Plainpalais. During this short voyage I saw the lightning playing on the summit of Mont Blanc in the most beautiful figures… the thunder burst with a terrific crash over my head. It was echoed from Saleve, the Juras, and the Alps of Savoy…” Frankenstein

She wrote of the creature in the snowy mountains of the Mont Blanc range and Chamonix, where the creature hid with a local village farm family and Victor Frankenstein would search for his creation.

       “I passed the bridge of Pelissier, where the ravine, which the river forms, opened before me, and I began to ascend the mountain that overhangs it. Soon after, I entered the valley of Chamounix.” Frankenstein   

Geneva is only a possible beginning of a tour. Less known, is the journey Mary Godwin and Percy Shelley made in 1814 when they eloped from London, when Mary was only 16, and ran away to Paris with Mary’s step-sister Claire Clairmont, then traveled across France to Switzerland, then up the Rhine River. This journey of the romantic tour of Mary Shelley and Percy Shelley is told in “The Frankenstein Diaries: The Secret Memoirs of Mary Shelley.

The threesome entered Switzerland from France and crossed the Jura mountains to Neuchatel (Neufchatel), where they stayed at a hotel in approximately the location of today’s Beau Rivage Neuchatel, with the same lake views the romantic travelers would have seen. Railways did not exist in 1814 and 1816, so rather than tour Switzerland by foot or horse coach, today it’s easy to visit these Switzerland sites by rail with a Swiss Pass Rail Pass. From Geneva, Neuchatel is a quick trip. Cruise the three lakes, and visit the watch-making district of La Chaux-de-Fonds in the Jura Mountains.

Lake Uri

Lake Uri at Brunnen

From Neuchatel, their path took them to Lucerne, passing through Solothurn, for a look at the cathedral. It was new at the time and they found the neo-classic formal architecture, with its crisp white marble, a bit unappealing. From Lucerne they took a boat to Brunnen where Lake Lucerne meets Lake Uri. They were fascinated by the story of William Tell and his part in the founding of Switzerland, and today you can take the Wilhelm Tell Express cruise and train route. One might pause to wonder, then, why Victor Frankenstein’s son was named William.

      “I have seen the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance were it not for the most verdant islands… I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water and gave you an idea of what the water-spout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud; but this country, Victor, pleases me more than all those wonders…” Frankenstein

The house where they stayed on Lake Lucerne is long gone, but Brunnen, or just down the shore, Vitznau or Weggis, offer a wonderful place to stop and explore the Lake Lucerne Riviera with the walking trails of the mountains Mary Shelley described, or the historic mountain train to Mt Rigi which would come later. When their money ran out, they took a boat back to Lucerne, admiring the chapel bridge and staying at a hotel, possibly the Wilden Mann which still exists. Then, by boat they followed the Reuss River to the Rhine, crossing the falls and on to Basel. Explore the Rhine Falls at Schaffhausen, and explore the very historic city of Basel, before getting on a plane or train back to France or continue to Germany where they traveled the Rhine River past the Castle of Frankenstein.

        “We had agreed to descend the Rhine in a boat from Strasbourg to Rotterdam, whence we might take shipping for London. During this voyage we passed many willowy islands and saw several beautiful towns. We stayed a day at Mannheim, and on the fifth from our departure from Strasbourg, arrived at Mainz. The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene…” Frankenstein

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The Missing Novels of Mary Shelley and Claire Clairmont

Hate and The Idiot – Competition of Two Sisters

Book Covers Hate and The Idiot Lost Novels of Mary Wollstonecraft Godwin and Jane Clara ClairmontMary Shelley is certainly famous for her seminal novel of Frankenstein, and she wrote other books to follow, but her first attempt at a novel begun during her teenage elopement and journey across Europe during the summer of 1814 with Percy Shelley and her step-sister Claire née Jane Clairmont is long missing, with only a brief reference to it in letters and her journal. And it was from that journey as well, Claire also attempted a novel, long missing to literature’s judgment.

Mary Shelley, still then Mary Wollstonecraft Godwin, began a book while traveling on route back to England after the adventures of France and Switzerland only known by its title “Hate”. Mary herself never publicly elaborated on its theme or content, except that it apparently brought some amusement to Shelley. She abandoned it before completion and one could imagine it might contain themes she would revisit in her later published book, and may have been inspired by the emotional reaction to experiences of her journey of six weeks together with her step-sister and her lover across the devastated lands of France ravaged by the recent Napoleonic War. The title is at the least, tantalizing.

Claire had also begun a novel at the age of 16, with a title no less curious and intriguing for its sharp brevity, “The Idiot”. It is also lost to time and mystery, and its fate may be evidenced in her later expression of some jealousy over her sister’s and her family’s literary success, writing after the death of her brother William in 1832, “In our family, if you cannot write an epic poem or novel that by its originality knocks all other novels on the head, you are a despicable creature, not worth acknowledging.” And wondering, “What would they have done or said had their children been fond of dress, fond of cards, drunken, profligate, as most people’s children are?” – a decided contrast between her Clairmont family character and the more serious Godwins.

In her diary of September of 1814 begun after her travels, Claire would write of wanting to create a character whose independence of mind would cause others to judge them as an “Ideot”. There is evidence that Claire sent this work, perhaps more work-in-progress than completed novel, to Lord George Byron, when she had insinuated an introduction to him in 1816. She noted in letters, using her then preferred name of Clara Clairmont, that it was “half a novel or a tale”, with the pretext of looking for career advice. She was undecided upon either a writing career or an entrance onto the stage through Byron’s connection to the Drury Lane Theater, though she was possibly most interested in a romance with the poet.

Bryon apparently did not respond to it at the time. In a rather desperate sounding and forward letter of a young acolyte who had not received a response, she wrote him, “If you said you were too busy to look at it, I should have understood …it may arise from your affairs and then I am tiresome; or it may be occasioned by negligence, which to me is at least as bad.” Apparently in her eagerness, she made the mistake of submitting a first incomplete draft to someone who didn’t know her. And one may imagine what someone of Byron’s place with many eager fans may have thought of the submission. “Will you make allowance for my years? I do not expect you to approve; all I wish to know is whether I have talents, which, if aided by severe study may render me fit to become an author. I had half resolved to correct and revise it; but afterword, thought if you saw it just as it was, written at intervals, and in scraps, you would be a better judge.”

As for what the story was, she did outline her theme. “My intention was to draw a character committing every violence against received opinion…who knew no other guide on the impulses arising from herself, than herself…whose sweetness and naiveté of character should draw upon her the pity rather than the contempt of her readers.” The story also dealt with themes of Atheism and Christianity and bore some evidence of the journey she had undertaken with her step-sister and Shelley as told in The  Secret Memoirs of Mary Shelley, the Frankenstein Diaries.

“It is at present in a very rude state; perhaps the whole of the first part should be rewritten,” she went on. “The tale is too abruptly begun; I am aware that the first sentence rather tempts one to throw the book down than to continue.” Not the most positive way to present a work for judgment. It is difficult to judge the book with no example remaining, but not hard to suggest that her writing as a teenager may not have been to the standard of her relatives, though her later letters evidenced her skill with words and her intelligence. And where Mary Shelley had resolved not to make herself the protagonist of her stories, Claire’s book seemed as if it was decidedly focused on herself, if in thin disguise. Mary would begin Frankenstein about the same time that Claire was presenting her draft to Byron, and would go though many revisions with the help of Shelley.

While Bryon showed no interest in the book by Miss Clairmont, she pursued him in person, resulting in a daughter between them.  Byron rejected Claire when she came to him pregnant with his child and had apparently  coldly rejected her as he did her writing. She would write to him in 1816 following the summer in Geneva in a letter full desperation at his indifference and longing for his attention, “Now, if I tell you my thoughts, dearest, you mustn’t bring them against me to make me look foolish as you did that hateful novel thing I wrote.”

Percy Shelley may have given Claire some assistance with her story and attempted to help her get it published in 1817, offering it to two publishers, Thomas Hookham, where at the same time he and Mary were publishing their travel journal “History of a Six Weeks Tour”, and to John Murray. Claire’s book was rejected, and never heard from again. She did have the last laugh though on her tragic family circle of romantics, by living to the age of 80.

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Mary Shelley’s Frankensteiniana in 2015-2016

Frankenstein in books, movies and TV for 2015 and 2016 (Reprinted from Travelmode)

It is arguably the most famous single name in literature and in the cultural psyche of fantasy, representing the dark side of humanity, chills and horrors of many a kind. Frankenstein. And it is about get more familiar with a whole rash of new media projects in the works based, whether directly or very loosely on the name, characters and book written by Mary Wollstonecraft Shelley emerging in 2015 and 2016, in advance of the 200th Anniversary(s). Upcoming projects encompass the themes and plot of the Frankenstein story as well as the lives of the creator and her relationship circle.

Here are some of the new iterations to come.

Daniael Radcliffe on Set of Victor Frankenstein“Victor Frankenstein” a film in production due in 0ct. of 2015  This is a Hollywood film with Daniel Radcliffe and James McAvoy in a reimagining of the original Mary Shelley novel story, told from the point of view of Dr. Frankenstein’s assistant Igor, played by Radcliffe, who switches from wizard with a scar to sideman to the mad scientist. Except there was no Igor in the book – he came from the movie versions, and with more notoriety from Mel Brook’s comedy spoof of “Young Frankenstein” as a bug-eyed hunchback. Igor wasn’t really in the cannon at all until Universal wanted something for Bela Lugosi to do and put him in “Son of Frankenstein” and needed a creepy character with an accent, spelled with a “Y”. This Igor dresses much better.

“Frankenstein” an independent movie due out in 2015  This is a modern retelling of the story set in Los Angeles by writer/director Bernard Rose, the director of “Candyman” about a present day married couple of scientists who create a monster with dire consequences, told from the point of view of the “monster”.

“Frankenstein Diaries: The Romantics – The Secret Memoirs of Mary Shelley” book due out in summer 2015  A novel of Mary Shelley’s life and love story with Percy Bysshe Shelley and their elopement to Paris in 1814 with Claire Clairmont, with additional secrets revealed in an historically reverent illumination of their intimate motivations and the inspiration for the novel.

“Romantic Outlaws: The Extrordinary Lives of Mary Wollstonecraft and Mary Shelley” a “dual biography” of the author of Frankenstein and her mother by Charlotte Gordon out on April of 2015.

“Frankenstein Code” TV series from Fox due out in 2015  This is a rip of the name for a modern cop drama series according to Fox “taking inspiration from the basic Mary Shelley mythology of a man brought back to life by scientists playing God” centers on a morally corrupt retired cop who is given a second chance at life when he is brought back from the dead.

“Frankenstein Chronicles” a UK television limited series from ITV  When mutilated stitched bodies float up the Thames River, detectives in Regency period London know that something dark is afoot. The series is shooting in Belfast with Sean Bean, who lost his head in “Game of Thrones”, here playing a detective discovering other severed body parts and tracking down Dr. Frankenstein as a serial killer. “Ripper Street” 60 years sooner.

“A Storm in the Stars” an independent film in development for 2016  Announced with Elle Fanning to play Mary Shelley to be directed by Haifaa Al-Mansour in a period drama telling of the Mary Shelley story according to IMDB, “The love affair between poet Percy Shelley and 18 years old Mary Wollstonecraft, which resulted in Mary Shelley writing Frankenstein”. Recently got a boost at the 2015 Cannes Film Market with Hanway Films signing on for sales, with production hoped for in fall of 2015.

“Mary Shelley’s Monster” a film in pre-production for 2016   This is said by producers to be a modern(ish) telling of the Mary Shelley story, focused on the creation of the book and later, according to IMDB  “Mary Shelley strikes a Faustian bargain with her alter ego as she works on her seminal novel”. Sophie Turner, “Sansa Stark” from “Game of Thrones” has been announced to play Mary.

Already here “Frankenstein M.D.” a web series from PBS  A modern young focused web series which reimagines the title character as Victoria Frankenstein, an obsessive prodigy determined to prove herself in the male-dominated fields of science and medicine.

There are probably a few others out there as well. Universal badly wants to revitalize its library  for a new audience. Maybe they can bring James Whale back from the dead and stitch him together with J.J. Abrams. Or maybe Abraham Lincoln will go monster hunting now, if somebody finds his body and sews him up.